|
 |
Lilo and Stitch: An Analysis of Religious and Moral Themes
|
|
 |
 |
 |
Stitch
|
 |
Stitch is a monster. He's defined as one in the very first scene of the movie. His personality and purpose are explained to
be total destruction of anything he touches. Every authority figure in the film considers Stitch to be evil, grotesque, and
entirely incurable of his destructive nature. Yet he is the movies primary protagonist. Stitch is an anti-hero; a villain
whom the audience desires to see succeed, prosper, and ultimately change.
|
 |

Stitch is one of the major examples of the "greying" of good and evil within "Lilo and Stitch". He has
been created for blatantly evil purposes, to destroy everything around him and cause as much damage and frustration as possible.
Yet, being presented as the focus of the films action, the audience sympathizes and cheers for Stitch, hoping that he will
ultimately find freedom and peace. Disney plays on the "anti-hero" concept with Stitch, making him a good-guy by
making all those against him either worse or very specific in their philosophy. He is aggressive and violent, but better than
the sadistic vengefulness of Captain Gantuu. He is uncontrollable, but we prefer him to the domineering attitude of the Grand
Council Woman.
The fact that most characters in the film give up on Stitch easily is one of the most religious messages in the film,
perhaps aimed very particularly at Christian viewers. Lilo does not give up on him, welcoming him into her family despite
his evil tendencies. I find this relates well to Biblical stories of Jesus Christ, who associated with sinners rather than
giving them up for lost. The often-repeated line in the film "nobody gets left behind" can be viewed in this respect
not only as a philosophy about family inclusion, but also as an evangelistic worldview.
Despite the fact that Stitch "has no place among us" we find that he does indeed have a strong need to belong.
As he watches Lilo play with Nani and David on the beach, Stitch is perhaps at his loneliest. He desires to be a part of the
domestic enjoyment he is seeing, but still find it difficult putting aside the monster he is designed to be. This again is
a significantly religious suggestion, implying that even those outside of the church have a need to belong in it.
|
 |
 |

Stitch enjoys, like Lilo, a moment of divine intervention. As she receive the "angel" prays for, so too does Stitch
receive the miracle that Jumba tells Nani they need. As Stitch lies unconscious on the pavement near the climax of the film,
Gantuu's spacecraft is targeting him. Stitch is nearly the victim of the ship"s weapons, were it not for the presence
of a frog, which leaps onto his head, waking him. Obviously the frog has no knowledge of the struggle currently occurring,
however it serves to help Stitch when Stitch is otherwise helpless. This event, combined with the suggestion of a miracle
by Jumba, forces me to see this as another moment when Disney allows a divine force to act on behalf of the characters in
this film.
Return<-
|
 |
|
 |
 |
|
 |
|
|
 |
|
 |
|
 |
|