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Lilo and Stitch: An Analysis of Religious and Moral Themes

Lilo

Lilo is entirely unlike any other Disney heroine. For one thing her age, which is unspecified but most likely somewhere in the seven or eight year range, is markedly younger than most girls in Disney movies. Disney seems to normally set lead female roles at the age of 16, occasionally going higher in cases such as Esmerelda in "The Hunchback of Notre Dame". The few girls who have been notably younger, Penny in "The Rescuers" and Miss Flaversham in "The Great Mouse Detective" for example, have been portrayed entirely as cute, endearing, innocent little girls. Lilo is not like this. Within five minutes of her first appearance in the film she flails out and attacks another little girl in an all-out fist-swinging, teeth-biting fight. While still an adorable child, the writers have given Lilo an incredibly anti-social personality

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Lilo doesn't fit in with the rest of the kids her age. Her peers consider her ideas, such as her weekly sandwich tribute to a supposedly weather-controlling fish named Pudge, crazy. Her doll is a homemade monstrosity who suffers from disturbing medical problems. She practices voodoo with pickle jars and decorated spoons. And, perhaps most interestingly for the purposes of revealing character depth, she takes pictures of overweight people, a hobby that has no relevance to the plot and simply adds to the rounding out of Lilo as a real personality.

All of these characteristics call into question the traditional portrayal of the female child that Disney usually adheres to. Disney is often either praised or condemned for creating female characters that are generally domestic in attitudes while still possessing strong independent streaks. Lilo's departure from this mould is something to be considered. She dwells in an environment which has departed from stable domesticity, and as a result, instead of following in the footsteps of other Disney heroines who attempt to restore their domestic life, she constantly strives to make things worse. Her strong personality is primarily rebellious, lashing out at a world that does not understand her. This aspect of realism seems abnormal for a Disney children's film, as is the fact that the film reveals the fate of Lilo's deceased parents, something which Disney glosses over in any feature films in which one or both parents are missing from the story.

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Lilo prays. She is one of the few characters to do so in a Disney animated film. After seeing a falling star she prays for an angel to come and be her friend. This, of course, brings up memories of Gepeto and his wish upon a star in "Pinocchio". As a religion moment, Lilo's pray is mixed. The act of praying for an angel is very much a Judeo-Christian event, however it is sparked by a less religiously significant falling star myth. Disney combines it's "when you wish upon a star" philosophy with a more directly religious activity, thus giving the film yet another way in which is crosses between borders.

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If any of the cast members has a web site dedicated to just them, I might include a link to it here.